Category Archives: Paris

Are All Oregonians Secretly French?

How French is Oregon?

I addressed this question in 2009, during the Oregon Sesquicentennial Film Festival. Here is the abbreviated version of my argument.

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James Blue (1930-1980) won the Critics Prize at Cannes in 1962 for his French language feature, The Olive Trees Of Justice. He was a graduate of Jefferson High School ’49 in Portland, University of Oregon ’53  in Eugene and L’Institut des hautes études cinématographiques (IDHEC) ’59 in Paris.

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Currently, four Oregon directors are beloved by French audiences.

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James Ivory (Klamath Falls), 6 nominations for the Palme d’Or at Cannes. Winner of Cannes 45th Anniversary Special Award for Howard’s End (1992).

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Gus Van Sant (Portland), 3 nominations for the Palme D’Or at Cannes. Winner for Elephant (2003). Winner of the Cannes 60th Anniversary Special Award for Paranoid Park (2007).

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Bill Plympton (Oregon City), 2 nominations for the Palme d’Or at Cannes. His Idiots and Angels (2009), received theatrical release in France, and was seen all across that country. His Cheatin’ (2014) just won the Jury Award at Annecy

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Penny Allen’s (Portland) latest film, En Retard Pour L’Enterrement De Ma Mere (Late For My Mother’s Funeral), is a French language feature length documentary-narrative film hybrid. Like The Olive Trees Of Justice, it was shot entirely on location in Algeria, and features a cast of non-professional actors.

How French is Oregon?

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Oregon is so French, Bill Plympton says that everyone in France accepts without question the immediate assumption that Pink Martini is a French band.

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This post first appeared on Anne Richardson’s Oregon Movies, A to Z, during the Oregon Sesquicentennial Film Festival at Maryhurst University in 2009. It has been amended to include James Blue. I learned of James Blue from James Ivory during his appearance at that festival.

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James Blue‘s French language feature, The Olive Trees Of Justice, will be presented at the upcoming Mid Century Oregon Genius screening series at the Hollywood Theatre in Portland, Oregon. Non French language films in the series are by Harry Smith, James Ivory, and Homer Groening, the senior member of the two generation Groening dynasty.

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Notes On James Blue is a blog kept by Anne Richardson, of Oregon Movies, A to Z, to cover the 2014 James Blue Tribute. The six month long Tribute celebrates the bequest of James Blue’s films to the University of Oregon by The James and Richard Blue Foundation, a 501 c3 non profit organization dedicated to preserving the legacy of filmmaker and film educator James Blue.

Notes On James Blue is supported by The James and Richard Blue Foundation. All thoughts, opinions, and errors, however, belong to Anne Richardson, and do not necessarily reflect those of the Foundation.

Who’s James Blue?

There is no book about James Blue. Most of what I have learned about him comes from his films, his print interviews, and from people who knew him.

Here’s where I was in October 2012:

James Blue (1930-1980) grew up in Portland. He studied speech and theater at University of Oregon, graduating in 1953. After some years of military service, he entered film school in Paris where he was influenced by Jean Rouch. (Anne’s  note: now I am not sure this is true – not sure if he studied with Rouch or not) Although he first distinguished himself by winning the Critics Prize at Cannes for The Olive Trees Of Justice, a feature length narrative film, he spent the rest of his life making socially engaged documentaries.

Blue was a man of firsts. First Oregon director to go to Cannes, and the first to receive an Oscar nomination. First person ever to receive Ford Foundation funding for a film project. He helped start the Center for Advanced Film Studies at American Film Institute. The documentary programs at Rice University and at the Center for Media Study in Buffalo were both established by him. He served on the 1972 NEA media funding panel which launched the first network of regional film centers, as proposed by Sheldon Renan. Northwest Film Center is the result of that NEA initiative.

Two years later, I see how much this thumbnail portrait leaves out. Who was this man?

All personal accounts are in agreement that there was very little separation between Blue’s professional life and his personal life. His friends became his colleagues. His obsessions became his films. Reading a fuller list of his accomplishments,  you begin to understand that every minute of his day was involved in some kind of work, but work that he loved. He held down two parallel careers, as a filmmaker and as a film educator, and excelled in both.

By writing in more depth about each of his films, I hope to discover exactly what I think about this mysterious, forgotten, and influential American filmmaker from my hometown.

Who was James Blue? What impact did he have?

Gentlemen, start your engines.

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Notes On James Blue is a blog kept by Anne Richardson, of Oregon Movies, A to Z, to cover the 2014 James Blue Tribute. The six month long Tribute celebrates the bequest of James Blue’s films to the University of Oregon by The James and Richard Blue Foundation, a 501 c3 non profit organization dedicated to preserving the legacy of filmmaker and film educator James Blue.

Notes On James Blue is supported by The James and Richard Blue Foundation. All thoughts, opinions and errors, however, belong to Anne Richardson, and do not necessarily reflect those of the Foundation.