Student films, in Oregon
Hamlet (1951-52, 8mm), shot on campus, University of Oregon
The Silver Spur (1956, 16mm), shot in the Blue family backyard, Portland
Student film, in Paris
Une Tragedie en Trois Mauvaises Actions (1958, 35mm) at L’Institut des hautes études cinématographiques (IDHEC), in Paris
Films made while employed by Georges Derocles, at Les Studios Africa in Algiers
Le Voleur (Algeria, 1960, 35mm, 20 min.)
Amal (Algeria, 1960, 35mm, 21min.)
La Princesse Muette (Algeria, 1960, 12 min.)
L’Avare (Algeria, 1960, short)
Le Jardin des Roses (Algeria, 1960, 18 min.)
L’Endormi (Algeria, 1961, 35mm, 10 min.)
Le Menuisier (Algeria, 1961, 35mm, 10 min.)
Le Match-de-Catch (Algeria, 1961, 12 min.)
Les Oliviers de la Justice (Algeria/France, 1962, 35mm, b/w, 90 min.) Winner of the Critics Prize at Cannes
Films made while employed by George Stevens, Jr. for United States Information Agency
Letter from Colombia (1962, 35mm, 10 min.)
School at Rincon Santo (1962, 35mm, 10 min.)
Evil Wind Out (1962, 35mm, 10 min.)
The March (The March to Washington, 1963-1964, 35mm, 33 min.)
Films made while teaching at UCLA
Prologue to George Roy Hill’s Hawaii (1966)
A Few Notes On Our Food Problem (with Stevan Larner, 1968, 35mm, color, 35 min.) Oscar Nominee
Films made in Houston, while co-directing the Rice Media Center
Karate Texas (1971-1973, Super-8, color, unfinished)
Kenya Boran (with David MacDougall, 1974, 16mm, color, 66min.)
Who Killed Fourth Ward?: A Non-fiction Mystery in Three Parts (1976-1977, Super-8 and video, color, 3 one-hour segments)
The Invisible City: Houston Housing Crisis (with Adele Santos, 1977-1979, Super-8 and video, color, 5 one-hour segments)
Notes On James Blue 